The (Imjin June 15), July 8, 1892, the Chinese modern Chinese painter Hu Peiheng born.



Hupei Heng (1892.6-1965.3) spectrum name Tin Chuen, also known as value-word Pei Heng, No. cold Um, nickname confused Ketu, a word line, Mongols, origin The Hebei Province zhuoxian due grandparents grain merchants, moved to Beijing. Peking Normal the private North China University, Peking Normal University, Peking arts full-time faculty has hosted the Chinese landscape painting Correspondence Society, founded in Beijing Liulichang the Leopard Man Lent painting shop. Former Chinese Painting Research Society, and the painting will be in the lake community council, North China University professor of Beijing Normal University lecturer, Professor of Peking College of Art. After the founding of New China, she served as executive director of the Beijing Chinese Painting Research, Beijing Art Academy painter and Fellows. the the
Hu Peiheng young hi painting, the early years was Xiling landscape painter Li Jing Zhai pointing, a lot of copying the Ming and Qing painting. After a 20-year-old Beijing painter Jiangying Sheng, Lin Qinnan, Jincheng, Chen Shizeng, Chen Banding, Xiao Qian, soup determined He performed the contact with their guidance. the
1918, Hu Peiheng joined Peking University, founded by Cai Yuanpei painting will cover the Tuas learn Western painting from the Belgian painter, was hired in 1919 Peking painting study will mentor and editor of the "painted Journal. Beida painting in 1920 changed its name to "Modelling Art Institute, the young Hu Peiheng was hired mentor. In the same year, Jincheng, Zhou Zhaoxiang founder of the Chinese Painting Research Society in Beijing, Hu Peiheng become the first group of fellows (trainees), learning traditional painting in Jincheng guidance further, after two years, have been promoted to the assistant of the Association council. In Kim Yam Lake, Xu Yan Sun, Chen Donghu, benefits Hyo equal initiated in 1927 Lake community painting will edit Lake Club Monthly. 1928 to chip in publishing Qi Baishi Qi Baishi album first episode. In 1930, Hu Peiheng the North Building My teacher's death (years) around Chi sense of "the poem wrote:" four broken dreams assembly dust, each pair of autumn a sad God. This day out windows the net several, to discuss the ink more person. "Indicates that the friendship of teachers and students of Hu Peiheng and Jincheng. Jincheng, known as the Beijing art world, "the majority leader of the" principle "lapping the traditional method, and the gathering new knowledge, directed a large number of young painters within to Hu Peiheng oldest, and most precocious. The in Jincheng nephew Mr. Jin Kaiying recalled: first primary teaching many disciples ... one thing I remember very clearly the first primary to buy a batch of rice paper Zhangba, he gave each of the big disciples a themselves for the draft, and together they painted, an assignment, opened a Zhangba paper works exhibition, remember Hu Peiheng paintings rated as the best. "
Seen of Hu Peiheng early provisional ancient for 1921 (yau) Pro Shi Tao" Khe Sanh endless tu ", 1923 (Guihai) Pro Shi Tao" Landscapes ". Dripping former ink, the latter pen force is magnificent. Hu Pro Shi Tao Landscapes "in the title:" Qing Xiang elderly ink extraordinary mood mysticism, the Xun non-worldly air beyond the dream. Huang Yan tourism at this album more than half write a hill gully can be amazing, fond of stupidity, a diffuse Pro to save Synopsis extent scholastic ability, since inevitably take Maung heritage God also. "In the early 1920s, Qi, Chen Shizeng, Chen Banding, Xiao Qian, and so push Chong Shitao the Hu Peiheng from affected them. Hu Peiheng but compatible with the Chinese and Western painting, from informality in a faction. Hu Peiheng painting saved "from the 1920s to the 1930s that were published first to fifth set, mostly temporary imitation of various factions of the works, including Huang Kung-wang, Wang Meng, Wu Zhen, Shen Zhou, Wang Duo, Cheng distant Cheng Zhengkui, Stony Brook, Mei Qing, Wu Li, Luo, animal husbandry, etc., can be seen to Nanzong mainly, but also pursued the North faction, immersive Pro Gold Li mountain snow pine wood "(1923)," Fu Song snow Creek Returning Boat "(early 1920s) are typical Li Guo sent works. He also said: "I love Pro North were portraits, kept the first three sets are a North were also. And I wrote Nanzong painting, and many North were intended Yan. In the article "Pro ancient Chu Introduction" ancient works according to style painting method is divided into secluded light (such as Ni Yunlin faction) Pingzheng (such as yellow male look faction), Zhuang whole (such as Dong Yuan, Ju Ran, Wen Zhengming, Shen Zhou ), Suimi (such as Wang Meng, Stony Brook, Wu calendar), bold (such as eight, Shi Tao), chic (such as Tang Yin, Yun south field), odd ancient (such as gold winter heart) Qiao Jian (such as horse far, the summer?) work caused (such as Liu Song, Zhao Meng?), misty rain (Mi Fu, high Fangshan). How provisional write for each style, he combined with his experience to explain, you can see a deep understanding of copying. In 1926, Mr. Qi Baishi title "Cold Um picture" poem: "structured stippling work, Kai mind see milli front. His years Huayuan 3000 generation, all of them not forget to read this Weng. "His work to be praised. (Lssdjt.cn)
about 1927 years ago, Hu Peiheng painting style matured, continue to delve into traditional at the same time, an increase in independent creative, artistic personality also presented. Subsequent works probably have two faces, a structure is complicated, hook cracked fine general comprehensive changes came from Wang Meng, Stony Brook, Wu Li Yi style; a multi-wet pen, the structure of the complex has a short, the use of traditional Chinese ink, thick pen line, to pungent unrestrained cases, you can see the Shen Zhou Shi Tao's impact. Qin Zhongwen On Hu Peiheng posthumous exhibition held in Beijing in August 1962, with two words summed Hu Peiheng early works: First, the "fine cute", second is "continuing commitment to inherit the ancients the and absorb advanced pens, ink wonderful techniques; previous sentence is about the style of the painting, the latter one is that they are closely associated with the traditional. However, Qin said that the early "fine" works on the art exhibition is concerned, I have seen more than two hundred pieces of previous works, "fine" for not a lot of, even if they are fine to make with vertical discharge and random characteristics, it can be said, crude can fine, regardless of thickness, Liu Yizhuo Zongyi spirited temperament. (Lssdjt.com)
50's dynasty, Hu Peiheng seek a new style of landscape painting, went to the abundance of sand along the railway line (1953), the Sketches of Guilin, Guangxi and Hunan Shaoshan (1956). Which Guilin sketching, thick warm cases, become a turning point in his old age style. Such as Qin Zhongwen said: write Guilin landscape, pen meaning of spicy, thick Meteorology, Qingdai of concentrated, Dan Huang's charm, show the imaginative magnificent, with years of both old and the painting environment, while to achieve his pursuit of ever-changing achievements. "In particular, the characteristics of this new style: simple composition, likes to take close-range close-up, no mountain heavy water complex, mountainous scene; ink heavy hook cracked stippling, and more powerful Mexican coke; like to use a sharp contrast color, such as azurite, malachite green, lead powder, magenta. In a word, these works can re-color freehand, unique. Hu Peiheng own Cuinian Reform "is also very satisfied with the poem reads:" marigold yellow after year, Shuainian Reform gas soaring. The magnificent sunset often in the spring, Shumao Shan Chong late Yan. Of Hu Peiheng the achievements
, far beyond Landscape Painting. He knowledgeable and more able to fine appreciation, good poetry, multi writings, and Cho also contribute to the field of art education and the editing and publishing. "Landscape Getting Started" in his book, "Wang Seokgok painting Jue micro", "Chinese landscape painting layout method" and "Chinese landscape painting points moss Law", "painting essays", "Hu Peiheng painting? Cong Tan", "Pro ancient Chu Introduction "cold Um painting Yi", "How do I painting landscapes, landscape painting techniques research", "Qi Baishi painting and appreciation," Wang Seokgok ". These writings to study painting youth as the main target, financial Huapu knowledge of art history, traditional painting theory, painters research and works Appreciation Ventura combined, easy, readable Pro, is a new kind of popular books, distinctive characteristics of the times, after the publication of the broad impact. These popular book there are some insights. "Jue and micro Wang Seokgok painting" Feeling respectful of Rubi Point Valley "yesterday, today the people rejected it so" status, such as the mid-1920s to do objective and fair, the root of the problem criticism. Article from king Seokgok art history, temporary ancient, On the painting, each comment on Painting change, works good point "and" bad points "from different angles, made a comprehensive analysis, even if read today still very exciting. He and son Hu?? Co-wrote "Qi Baishi painting and appreciation" is the first account of the work of Qi Baishi painting, and a high value of art history. Chu Yu (lssjt.cn)
"Chinese painting masters Hu Peiheng access in mind," said, the Hu Peiheng "in Chinese painting lesson Acts known, generally recognized. Money Celebrex Aung Hu Peiheng Lesson Acts the etudes sequence ", saying:" Mr. man, such as spring, the winter that's also warm. Its teach people also?? �� paralyzed Mao? Mustard retort Mi spinulosa F urinate hybrid Rao Chang Chiu Nu noisy goblet? Pai feeding �� hinder shipped? Shortage baicalensis was Kum lu? Nonyl? Wong? Purine margin? Heights Boschniakia glabra shares field drains wheel?? Escape surprised Locusts wooden cargo boat rocking G the the pair IV. �� margin? �� system Chiu flurried?? nonyl? Kuo the gray keys Po ��? pepper �� the fertile??? escape? Yun Fu Qin? Wong of the captivity slips �� D? rdquo; the Hu Peiheng education summarized difficult to easy method "analysis" and so on, this experience has yet to be us to explore and study.
Hu Peiheng an outstanding editor, successively editor of the Peking painting "painted Journal, Peking University Institute of Modelling Art Modelling Art and the Lake Club Lake Club Monthly. The Lake Club Monthly 1927 founding to 100 in 10 years in 1937, is the first half of the 20th century to uphold the longest art publication, has always been one of by Hu Peiheng editor. The journal describes the many ancient and modern painters, published a large number of ancient and modern paintings and painting theory writings, also paraneoplastic calligraphy, seal carving, antique collections, poetry, bronze research, and fully displays of Hu Peiheng wide horizons and many capabilities. These publications have become to study the precious documents of the 20th century Chinese art history.
Hupei Heng Qi Baishi friendship between generations. Qi Baishi album first published in 1928, is Hu Peiheng editor, he praised "the preamble Qi" frank sexual hi injustice, Gu Lieshi Wind "," works of artistic conception is profound and innovative " . The early 1930s, Hu Peiheng founded in Liulichang "Leopard Man vegetarian", business books Dong, printing a lot of pictures books, Hu's own writings, the "the large polyester child landscape fine print", "yellow sub long Fuchun Mountains "" Qi Baishi album "," Xiao Qian lesson believers in drawings, "Xiao Qian landscape fine book" and so on, has contributed to the promotion of Chinese Painting and Calligraphy.
Comments: Hu Peiheng is a versatile artist, has made a great contribution to Chinese landscape painting and calligraphy.