October 10.1990-The printmaker Liu Da Nang's death
October 10, 1990 (August 22) Gengwu, printmaker Liu Da Nang's death.
1990 10 10, 2009, death of remarkable achievements and tremendous contributions to the revolutionary art printmaking renowned Chinese and foreign art scene the famous printmaker Liu Da "target =" _blank "> Liu Da Nang, due to illness in 1990 in Beijing on September 21, passed away at the age of 75. (lsjt.org)
Liu Da born in 1915 in Lankao County, Henan Province. early 1930s, Mr. Lu ago that emerging printmaking movement, is to Beiping Art College learning Liu Da Nang and the response from the following year, he transferred in Shanghaimeizhuan organization nameless woodcut social concern and advocated by Lu Xun and his rough and virile pen knife, whipping the darkness of the old China to expose the conspiracy of imperialist aggression, promote the young Emerging woodcut movement.
Comrade Mao Zedong had in November 1939, Liu Da prints handwritten inscription hope that he will continue to work hard and struggle for the creation of the new Chinese art.
1937 (l $ djτ.ōrɡ) Liu Da Nang returned from Japan to join the anti-Japanese movement joined the New Fourth Army in 1938, after coaching at the Lu Xun Art Academy in the 1940s, he was editor in chief in the New Fourth Army the "dawn woodcut", the establishment of the dawn woodcut research will promote the movement of the War of Resistance Against Japan printmaking, eulogize the Shaanxi-Gansu-Ningxia Border Region Production and Construction life.
founding of New China, Liu Da served as director of the Research Department of the National Art Museum of China, the research librarian, Chinese Printmakers Association Advisor of the People's Fine Arts career development and the creation of the National Art Museum of China, collection, research and foreign exchange to make a contribution.
as a outstanding members of the Communist Party of China, Comrade Liu Da always adhere to the path of realism creation his number one thousand works of Chinese social life portrayal of the era, he inherited a traditional Chinese folk art characteristics, but also absorbed Western printmaking techniques to form a unique artistic style. (? v history today?? com) < br>
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